I smell dead people.

Okay. Perhaps that was unnecessarily gross. Probably.

This weekend was full of a lot of things, but mostly going to Westview Cemetery with Gabbiana, which was awesome (I like that I have friends who get excited at the prospect of going to a cemetery). It is huge and only half-full and the day was really fantastically overcast. The highlight of the trip was the gigantic mausoleum (it’s bigger than several of my house put together), which is beautiful on the first floor but eerily unfinished on the top floor and in the basement. The first floor is complete, with marble floors and a vaulted chapel and some speakers that used to pipe in music but are now silent. The chapel is full of really amazing woodwork and poorly-glazed windows that are buckling inward, which gives them a bubble-like quality. The rest of the building is creepy. You can tell where they started to run out of money and then where they have completely run out of money. The basement is half-finished (half of it is blocked off), and the finished part has those poured conglomerate floors (I forget what they’re called) that you see in grade schools and high schools all over America, and sprayed-popcorn ceilings. There were really suspicious water stains in certain corners. I didn’t think about them too hard.  The top floor is very unfinished, consisting of only two open corridors (which are still in use). The rest is all boarded over. Some inspection through holes in the plywood separating us from the unfinished sections showed dusty building materials in piles all around. From the lobby of the ground floor, you can see a beautiful carved stone bridge and balconies,  but unfortunately those were in the closed-off section. We did see them over the top of a barrier at the top landing of a spiral staircase tucked away in a hallway.

Gabbiana and the husband were much more cavalier about it than I was. They peeked through barriers and knocked on the tombs and sniffed in cracks (even the one in the exposed seal from one of the tombs), so I felt pretty proud of myself when I detected the Special Smell on the third floor first, prompting me to declare, “I smell dead people” all weekend (we went to a dinner party afterward, and it was really hard not to use that as a conversation starter).

The cemetery’s website boasts the chapel on site, with lovely stained glass windows, though I imagine they mean the big vaulted one – the smaller chapel is also boarded-over. I wonder if they’ll ever finish the building, or if they’ll just let it crumble. With the vast amount of unused, unturned plot space outside, the latter of the two possibilities seems more likely.

And the creepiest part? Not the Smell, not the flies buzzing around. No, the creepy part was the carts parked against doors and at the end of corridors, and the places where people were buried but nobody had finished the ceilings.

We finished off by poking around the old caretaker’s shop, until the current caretaker told us we had to leave or we’d be locked in.

It was a wonderful way to spend a Sunday.

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Dirty Pool, UPS

Dirty pool. That’s not the way to play the game.

Seriously. Try something else, because this strategy is really lame.

What do I mean by this? Well. UPS is attempting to pass a bill that reclassifies FedEx from being a primarily air-based transportation company to a ground-based one (which is silly, because most of their business is via airplane), which would also bring union labor into FedEx. While on the surface this seems like a good idea, it actually kind of sucks, because if FedEx workers go on strike, one of the potential things that happens is that people who need organ donations and transplants *right now* can’t get them when they need them (not to mention the extended effect on businesses and the like). This sort of strike happened within UPS and had pretty bad consequences for all kinds of people who aren’t UPS.

Ultimately, this will also make you pay more to ship things, because you’ll be paying to help bail out UPS. Not okay.

Brown Bailout

Go there, write letters to your congresspeople, representatives, and hey – even UPS.

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Aw, man.

This choli is going to be weird.

To compensate, I’m watching old episodes of Making Fiends.

Oh, Vendetta, you wily grump.

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Why I knit, #24

Knitting is something I never feel the need to purge.

I’m a compulsive clutterer. I attribute this somewhat to being the granddaughter of a Depression-era housewife, and somewhat to my personality and also somewhat to being an artist. Whatever the reason, I tend to clutter things. I keep every book  I’ve ever bought, plus lots I’ve never read but found for free various places. I mean, I’ve never read some of them but I might want to someday, right? I’m saving money! Sure. Art supplies are the same beast, only worse – while a book is potentially a tool of personal enlightenment, what really can I do with six inches worth of red string and some old beer bottle caps? I keep buttons and broken purse clasps, shoelaces and plastic fashion gems (the sort you’d use with a Bedazzler). I have pounds and pounds of paper left over from grad school, which for some reason I can’t bear to part with. I have old tubes of paint that have fused with their lids, but if I throw them out, I’m wasting them, right?

Over the course of this past month I’ve been making an effort to clear out a lot of this random collected stuff. I’ve limited myself to one 8-section IKEA bookshelf, plus two or three small plastic bins (this does not cover the paper, but I’m doing this at a reasonable pace, and will get to the paper at some point). This has unearthed several square feet of clean floor space, plus a lot of art supplies I forgot I had, since they were buried under junk. The sewing stuff is all in one place, and I know what I’ve got now.

When I was organizing the yarn, I felt no need to rid myself of any of it. I think this is because it is a deliberate collection. I have a couple of these. One is of Dunnies (little plastic rabbit figurines, which are useless but fun to line up on my desk; in many ways I’m never going to grow out of childhood), and another is of snapshots of people from the turn of the century, in which people are doing the things all of us do with our families, such as eating watermelon, going on walks, and posing in front of things so others can remember what we did years later. I love the photos. They’re grainy, poorly posed, often blurry, and all feel completely genuine in ways studio portraits can’t. Someday I’ll frame them and make a big wall installation of my collection, so I can look at them from time to time.

My yarn collection has a purpose. It will someday become socks and sweaters and scarves, and all these projects will provide me with entertainment and peace of mind. It’s a thing I can control, except that I never feel a need to. As long as it’s organized, it’s fine.

Which is more than I can say for my art papers.

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HEE HEE HEE

http://www.gothsinhotweather.com/

Aw, yeah.

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Learn Hindi from Bollywood Films

Super-educational:

http://www.cuttingchai.com/HouseFull/index.html

No, really. I now know how to intimidate people in a melodramatic fashion (and I finally know what phir milenge means).

Best. Podcast. Ever.

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No more magenta

It was eye-searing and made my photos look funny. Back to white (ahhhh….)

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I’ve been a busy lady.

I am still doing too much, but not as much as before. I have gotten many things done in the meantime.

One of these things is part of a monumental fabric printing project.

I had been reading the documentation that Lakshmi Amman (from the SCA_India list) had been doing about her wax-resist block printing experience, and then wandered from there to the Al-Fustat textiles, and thought (in that crazy part of my brain), “I can do that!” Only not wax. I am nervous about how many things I can set on fire with wax.

No, I am going to attempt mordant-stamped dyeing. Originally I had intended just to buy paint and do a pigment stamp, but I’m a perfectionist. It won’t be *right* if I do that. So, I looked up sources for madder and some tips on technique, and as soon as I can order it I’m so there (this saves my red fabric for zari embroidery, which is also awesome).

In preparation, I chose a pattern:

image144

Simple, no? Granted, I am not a total beginner with this; I’m just inexperienced with printing on fabric.

On Sunday evening, instead of doing a dozen other things I ought to have done, I made a stamp. Earlier in the week I’d drawn up the pattern, and then transferred it to the block via carbon paper and a burnisher. Here it is, plus a little beginning carving:

stamp, beginning by you.

It looks complicated, but it really just requires a delicate touch. I’m carving away less than 30% of the block’s surface.

Then I proceeded to carve the rest. The little rows of dots around each medallion were a pain until we looked at the extant textile and discovered that they were probably painted in after the pattern was printed. This makes sense. You get a clearer dot that way (carved dots tend to fill in with ink/mordant/wax). So I carved out the entire medallion border and finally I had this:

stamp, carved by you.

Then I took a break for the night. Whew. I also gave myself a blister that I’m quite proud of.

This evening I did some work on another project and afterward pulled out the block printing ink and some scrap paper to pull a few test prints of the block (this is the best one):

test print by you.

The flourishes need more fribbets, which I can add, and I need to carve deeper channels in a few places, to prevent fill-in. However, my calculations on how to cut the block to achieve a seamless design have been accurate:

test, registration by you.

The top and bottom edges are seamless enough, with a few minor adjustments. I’ve asked the husband to cut away the excess, though, since it makes it hard to register the block side-to-side. However, once I have some white fabric, madder, and alum, I’m ready to test. I have no idea if this will work on fabric, but I’m optimistic.

And I’ve got a few nice prints I may frame.

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Oh, RLY?

I had, at one point in the past, spoken out against facial piercings and gauged piercings.

I have recently been doing some research on Indian (surprise!) jewelry, and both a nose piercing and gauged ear piercings now seem like a good idea. I was perhaps hasty in my angry ranting.

I am often hasty in my angry ranting.

Anyway. The opening visualization for the new Beatles Rock Band is really, really beautiful. It captures the feeling I felt as a 13-year old, discovering the Beatles for the first time:

http://www.thebeatlesrockband.com/cinematic.php

I gots me goosebumps.

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Friggin’ A.

Shall I kill myself trying to make tassels before RUM?

No! I say, no. For I have discovered these:

(From eShubham.com).

And, on top of that, they have other tassels:

And hair extensions (actually, this is at indianwedding.com, but it’s out there on the internet and saves me some trouble):

Well, that solves that problem, then. I will still make tassels myself, but this covers me if I run short on time.

And today was apparently paranda day at Ranee’s Fashions (the paranda is the tasseled braid extension thingy, often worn by brides). I went in, asked for one, and then someone else came in 5 minutes later. Ranee laughed and explained that somebody had called her about one, as well. Parandas for everyone! I chose a flashy silver one. I plan on figuring out how it’s constructed and then making my own. Because I don’t have enough craft projects.

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